After suffering a major loss while he was on a cross-country bike trip, 21 year-old Leo seeks solace from his feisty 91 year-old grandmother Vera in her West Village apartment. Over the course of a single month, these unlikely roommates infuriate, bewilder, and ultimately reach each other. 4000 Miles looks at how two outsiders find their way in today’s world.
A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the Laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians.
Jennifer Egan’s spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
The internationally beloved story of a precocious teenager’s attempts to understand and control the world around her, Francoise Sagan’s Bonjour Tristesse is a beautifully composed, wonderfully ambiguous celebration of sexual liberation, at once sympathetic and powerfully unsparing.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.
Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of Sleepless in Seattle reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter.
With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in I Feel Bad About My Neck, a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself.
A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense and generous hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.
From one of our boldest, most celebrated new literary voices, a novel about a young woman’s efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes.
At school Connell and Marianne pretend not to know each other. Hes popular and well-adjusted, star of the school soccer team while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her housekeeping job at Mariannes house, a strange and indelible connection grows between the two teenagersone they are determined to conceal.
In Places I Stopped on the Way Home, Meg Fee plots a decade of her life in New York City- from falling in love at the Lincoln Center to escaping the roommate (and bedbugs) from hell on Thompson Street, chasing false promises on 66th Street and the wrong men everywhere to finding true friendships over glasses of wine in Harlem and Greenwich Village.
At twenty-three, Dani Shapiro was in the midst of a major rebellion against her religious upbringing. She had dropped out of college, was halfheartedly acting in television commercials, and was carrying on with an older married man when her life was changed, in an instant, by a phone call. Her parents had been in a devastating car accident. Neither was expected to survive. In her first memoir, Shapiro offers this powerful true story of a life turned around; not by miracles or happy endings, but by unexpected personal catastrophe.
A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers. When members of the National Book Critics Circle were polled to see which book they would most like to see republished, they chose Speedboat—“by far.” This story of a young female newspaper reporter coming of age in New York City was originally published serially in the New Yorker; it is made out of seemingly unrelated vignettes—tart observations distilled through relentless intellect—which add up to an analysis of our brittle, urban existence. It remains as fresh as when it was first published.
The Bell Jar is the only novel written by the American writer and poet Sylvia Plath. Originally published under the pseudonym “Victoria Lucas” in 1963, the novel is semi-autobiographical, with the names of places and people changed. The book is often regarded as a roman à clef because the protagonist’s descent into mental illness parallels Plath’s own experiences with what may have been clinical depression or bipolar II disorder. Plath died by suicide a month after its first UK publication.
From the New York Times bestselling author of Commonwealth and State of Wonder, comes Ann Patchett’s most powerful novel to date: a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are.
The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
In The Namesake, Lahiri enriches the themes that made her collection an international bestseller: the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations. Here again Lahiri displays her deft touch for the perfect detail — the fleeting moment, the turn of phrase — that opens whole worlds of emotion.