Endearing, self-absorbed, seventeen-year-old Cecile is the very essence of untroubled amorality. Freed from the stifling constraints of boarding school, she joins her father & a handsome, still-young widower with a wandering eye-for a carefree, two-month summer vacation in a beautiful villa outside of Paris with his latest mistress, Elsa. Cecile cherishes the free-spirited moments she and her father share, while plotting her own sexual adventures with a “tall and almost beautiful” law student. But the arrival of her late mother’s best friend, Anne, intrudes upon a young girl’s pleasures. And when a relationship begins to develop between the adults, Cecile and her lover set in motion a plan to keep them apart. . . with tragic, unexpected consequences.
The internationally beloved story of a precocious teenager’s attempts to understand and control the world around her, Francoise Sagan’s Bonjour Tristesse is a beautifully composed, wonderfully ambiguous celebration of sexual liberation, at once sympathetic and powerfully unsparing.
In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving “Brotherhood of the Arts,” two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed–or untoyed with–by anyone, especially not by their charismatic acting teacher, Mr. Kingsley.
The Bell Jar is the only novel written by the American writer and poet Sylvia Plath. Originally published under the pseudonym “Victoria Lucas” in 1963, the novel is semi-autobiographical, with the names of places and people changed. The book is often regarded as a roman à clef because the protagonist’s descent into mental illness parallels Plath’s own experiences with what may have been clinical depression or bipolar II disorder. Plath died by suicide a month after its first UK publication.
A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers. When members of the National Book Critics Circle were polled to see which book they would most like to see republished, they chose Speedboat—“by far.” This story of a young female newspaper reporter coming of age in New York City was originally published serially in the New Yorker; it is made out of seemingly unrelated vignettes—tart observations distilled through relentless intellect—which add up to an analysis of our brittle, urban existence. It remains as fresh as when it was first published.